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SFRplus Chart: Inkjet on Paper - 4:1 Contrast Ratio

SFRplus Chart: Inkjet on Paper - 4:1 Contrast Ratio Instructions Operating Manual SFRplus Chart: Inkjet on Paper - 4:1 Contrast Ratio PDF
This SFRplus Chart: Inkjet on Paper - 4:1 Contrast Ratio Instrument are Certified with
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1 Years Warranty (Additional support period of 3 years)
SFRplus options are offered to support a wide range of image testing applications.
Options include:

Contrast Ratios Options

  • 4:1 contrast ratio matches the upcoming new ISO-12233 specs.
  • 10:1 and 2:1 contrast ratios  Use of both contrast levels improves ability to analyze non-linear signal processing, which may not affect the lower contrast 2:1 contrast ratio regions 
  • 10:1 contrast only improves the completeness of 3D maps of performance across the imaging surface. 

Paper Type - Semi-gloss or Matte Options

  • Matte paper can be easier to light because it has less specular reflection than the semi-gloss paper.  The MTF is slightly less than semi-gloss paper and does not have as deep dark tones on the stepchart.
  • Semi-gloss paper has slightly higher detail than matte, has deeper black tones on the stepchart, and is recommended for most applications except for wide-angle lenses.

Square Grid Dimensions Options

  • 5x9 grid dimension is recommended for for typical DSLR formats with aspect ratios of 3:2 and typical HDTV formats with aspect ratios of 16:9.
  • 5x7 grid dimension is recommended for typical compact camera formats with aspect ratios of 4:3.

Ink Jet Chart Resolution

This chart, and all our ink jet printed charts have an approximate MTF50 of 5 cycles/mm.  For a comparison of rflective surfaces, as well as what this means when choosing your chart, please visit our Reflective Surface Comparison Blog. Please keep this in mind when choosing the size of chart.  Using a chart that is too small with a high-resolution sensor can result in the MTF of the chart degrading the measured MTF of the camera system. In addition, it is important to use a chart that is large enough to accomodate the minimum focus distance, as well as the resultion of your sensor. 

Paper Size and Active Area Options

Charts are available in five main sizes with variations depending on the grid dimensions selected. It is recommended that the medium sized charts be used to test imaging systems with sensors up to 12 MP, the large charts be used for testing of sensors above 12 MP and up to approximately 24 MP, and the extra-large charts be used for sensor sizes above 24 MP.

Paper Size (Including Margin)

  Square Dimensions
5x9 5x7
X-Small 8.5" × 15" 8.5" × 10"
Small 14" × 24" 14" × 20"
Medium 24" × 40" 24" × 34"
Large 44" × 60" 44" × 60"
X-Large 44" × 74" 44" × 64"

Active Area

The active area of the chart includes white space above and below the top and bottom distortion bars. It is slightly larger than the printed area, which is bounded by the distortion bars on top and bottom. White space is included in active area because test images of the chart must include this white space in order to enable automated processing in SFRplus software.

  Square Dimensions
5x9 5x7
X-Small 7.85" × 15" 6.75" × 10"
Small 12.5" × 24" 13.5" × 20"
Medium 22" × 39.22" 22" × 33"
Large 33" × 59" 40" × 59"
X-Large 42" × 72" 42" × 59"

Color Chart Options

Inclusion of the color chart enables testing of color accuracy. If the color option is selected, the "focus star" pattern that aides in focusing is replaced by a 20 patch color chart.

Pre-Distortion Options

Pre-distorted charts offer the ability to map the outer edges of a wide angle or fisheye lens using SFRplus.  These distortion levels are available

Level Matrix
No distortion [1 1]
Distort [0.833 1.123]
Distort+ [1.167 1.577]
Ultradistort [1.167 1.982]


We do not recommend using semi-gloss paper for wide angle lenses or pre-distorted charts

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FAQs About  SFRPlus Test Charts

Who are we? Threenh Technology: 22-Year Professional Color Measurement Solution Provider

Threenh Technology is a Chinese professional manufacturer with 22 years of industry experience, specializing in the field of color measurement and surface gloss detection. Integrating research and development, design, production, marketing, and sales, the company takes technological innovation as its core and is committed to providing global customers with high-precision and intelligent testing instruments as well as professional solutions.


The gloss of the paint is defined by the measurement of light reflection at the surface of the paint with the help of a gloss meter. The angle and quantity of light reflected determine the level of gloss, with smoother and reflective surfaces having a higher level of gloss.


A haze meter is precise and accurate if the sample is clean, there is a light contamination, and the sample is condition.


This refers to assessing samples with a specific color and maintaining the same alloted time interval on all parameters to ensure neutrality of variables and reproducibility of lightness in the color. 


Calibrating a colorimeter before testing is critical for accurate, reliable color data—counteracting instrument drift, environmental interference, and component wear to ensure measurements reflect true sample colors. It guarantees compliance with industry standards, eliminates costly rework from flawed data, maintains brand consistency across batches/locations, and ensures data comparability with clients or regulators.

Calibrating a colorimeter before use is primarily to ensure the accuracy of measurement data and compensate for errors caused by the aging of internal components (such as light sources and phototubes) or environmental changes.

Below are the specific reasons: 

  1. Compensation for Component Aging and Environmental Influences

  2. Compensation for Environmental Factors

  3. Standardization of Measurement Baselines

  4. Operational Specification Requirements

3nh colorimeters are designed for immediate measurement upon startup. However, calibration (via black-white correction) is mandatory for the first use, sudden environmental changes, or abnormal data to restore measurement accuracy.

Colorimeter vs Spectrophotometer for Textile QC 

For textile quality control, a spectrophotometer is always the better choice instead of a basic colorimeter.

Key Reasons

  1. Spectrophotometer captures full spectral data, handles dyed fabric, printed textiles, yarn, woven and knitted materials with complex color and texture.

  2. Supports SCI/SCE, metamerism test, fastness comparison and batch color consistency inspection.

  3. Higher accuracy and better inter-instrument agreement, perfect for factory mass production and customer color approval.

  4. Basic colorimeters only show simple color difference data, easily affected by fabric texture, rough surface and lighting, with poor stability for textiles.

3nh Recommended Models

  • TS7700 / TS8560: High-precision, ideal for textile lab QC, color matching and raw material incoming inspection.

  • NR60CP / NS800: Cost-effective option for daily production line routine color checking.


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